June
15
Bety's mother arrived from Florida today to help
her with the drive to the family reunion at Cape
Hatteras.
June 13
When I arrived home from work today there was a
little girl with long blond hair, Lizzie, sitting
at the kitchen table. Betsy was baby-sitting her
manager's daughter for a few hours. Soon the two
of them were upstairs in Daryl's room playing
with his stuffed animals. I could hear them
pretend. It was sweet to hear the voice of a
child once again in our house.
I got a new client today. Cozbi Company owned by
Cozbi Cabrera. www.Cozbi.com. Featured on Martha
Stewart and Oprah. Hand-made dark skinned dolls.
I'll be printing her 20 page catalog--and honored
to do so. I sent her my essay, "All You Need
Is Love", and when I spoke with her today,
she thanked me, and said many people don't
understand that business can be conducted with
love as a guiding value/principle.
In her brochure she writes: "In April 1997 I
left my position as design director at a major
record label to create and live a life rich, full,
balanced and self-expressed. My heart had turned
toward home and the possibility of enjoying and
creating family while doing what I loved. What
showed up specifically as dolls came from images
that called me--whole, healthy, vibrant, and
distinct--and some hand skills I'd cultivated as
a little girl with a sense and longing to create
in love and from the heart......I wish for you a
life filled with new wonder and abundant joy of
the soul."
June 12
After I get off the train late this morning and
walk up Eighth Avenue, turn on to 42nd Street, I
am struck by how unreal the city looks today.
Although I have been coming to New York City
twice a week on business for the past five years,
today it it steel gray. The clouds hang down
amongst the buildings. The mist covers my glasses.
The inter-section of 42nd and Broadway looks like
a scene out of Blade Runner. It was one short
year ago I was standing in Times Square in the
rain waiting for Puff Daddy to appear. I was
standing there resting my back-pack on a
barricade the police had set up and thousands of
other people were standing there, too. But I was
in a good position should he had appeared. I
called Daryl from my cell phone and leave a
message for him saying to look for me on MTV. I
promised Daryl that whenever I'm in NYC I'd walk
trhough Times Square and try to get interviewed
by MTV. Their broadcast headquarters are the
second floor of a building on Broadway that runs
the length from 44th Street to 45th, almost
directly across the street from the All Star Cafe
and Virgin Records. Their offices are glass,
floor to ceiling, and camera-men, and women, are
always either panning out to the people screaming
up to them from the street or out on the street
interviewing them. I guess, if I am actually ever
interviewed, I could say I've been watching MTV
from Day One, from the days of Martha Quinn, who
I would occassionaly bump into at the Colliseum
Bookstore on the corner of Broadway and 57th (their
offices were uptown then, in the beginning,
before VH1). As I had turned the corner at 42nd
Street and Broadway I knew something was
happening. There were a lot of police and a lot
of people--in the rain. Someone handed me a flyer.
It read: See Puff Daddy in Times Square. I waited
for one hour. And I saw him up there on the
second floor through the window. He was taping a
show, Total Request Live, and turned occasionally
to the window, to the world, danced his way close
to the window, and waved to the people below, who
went absolutely wild, screaming Bad Boy Bad Boy (the
name of his company). And I actually had the good
fortune of standing nexst to a Bad Boy employee
who asked me to help him hold a Bad Boy banner up
for all to see. As far as I know, Puff Daddy
never appeared in Times Square, on the street
where I stood, and thousands of others stood, but
like some surreal scence out of a movie, I did
see him, amid the bright lights and discordant
sounds of Broadway, in the rain.
June 7
Today was Daryl's band concert (for which he
missed the second half of his soccer play-off
game; they won 2-0). And how good can a band
concert of kids who mostly play only at school in
band really be? Any adult who decides to be a
band teacher in middle school deserves an A+ and
lots of money! And maybe ear-plugs. Maybe that's
why when I played drums in the junior high school
band in Teaneck, New Jersey the band teacher once
threw his baton at me; he was just fed up.
Two things I remember most. One: Daryl playing
the cymbals in the first three songs--so I guess
you could say he had a big part. Certainly a loud
part. And two: a proud dad standing up directly
in front of me and video-taping his daughter
sitting in her chair for ten minutes BEFORE the
concert started. I was wondering what he found so
interesting about this and why they would ever
want to watch this stillness (and listen to the
noise from all the kids in the audience filling
the room) again, for once the music began he sat
down and packed away his camera.
June 4.
From our church bulletin: Thank you for giving us
this opportunity to be together to celebrate the
gift of children. Keep us mindful of the promise
we made at their baptisms, a promise to love,
support and care for them. Help us to listen for
you in their voices today...Sometimes we have
been busy doing good things, and even great
things, and yet failed to listen to our children.
Teach us to listen while there's still time."
June 3.
I was mowing my lawn. I was into the third hour
when my neighbor, Eric, came walking down our
driveway, made me turn off the lawnmower and said,
"I can't believe you're still mowing your
lawn!" He then went for a run and I went
back to mowing. It may take a long time but it is
a great time to think. Today I was reminded of
how Betsy and I basically met in a graveyard. My
brother and I were mowing it one day in June 25
years ago! Betsy stopped by to help by clipping
the grass which was up against the gravestones.
And I also thought of a story that appeared in
The New Yorker called "The Mower,"
which began:
"She ran every morning at six-twenty. At
first I hardly noticed but then it got so I'd
look for her, and worry a little if she was late.
She'd come out of the trees along the sixteenth
fairway, run through the rough down the side, cut
across the street--there's a little wooden bridge--onto
the third tee, and out of sight. I would never
see her after that. Is she finished where she
started, though, she must have run four or five
miles. Jesus. I couldn't run a mile if you paid
me a million bucks. I never saw where she
finished, because even though I was almost always
on the fifteenth or sixteenth when she started--you
cut them alternate days, usually--as soon as she
got out of sight I had to go down the hill and do
the eleventh or the tenth, and then back into the
garage before the foursomes started showing up at
seven."
At night Daryl and his friends play flashlight
tag at our house. There are probably ten to
twelve kids running around our house in the cool
dark June night in and out of the woods--and
through my newly planted vegetable garden.
June 2.
More on innocence. I watched Danielle leave for
school this morning. She was wearing a long skirt
and she stood as tall as I with her new shoes on.
And I thought to myself there goes a beautiful
young woman and all I want is her to have the
best and be happy.
June 1.
Watching my son's Little League team practice
before their game today, I was distracted by the
girl's softball team practicing; watching,
listening to them, their joy, I was carried back
to when Betsy and I coached Danielle's softball
team for one year. It seems so long ago although
only a few years have gone by--but Danielle is
now 15, soon 16, not twelve, and those days of
innocence, days of happiness are gone. All the
time I am dreaming about those days of coahing
Danielle's softball team, the girls cheering from
the dugout,I am reading the story about Lucinda
Williams in this week's New Yorker. And I am
struck that I remember the first time I heard her.
I was driving on Route 66 toward downtown
Northampton on my way to pick up Daryl at The
Children's House, and as I passed the county jail
on my left and the expanse of Mt. Tom on my right,
her voice, like that of an angel if angels could
sing, filled the car. I remember being so moved
that I had wanted to stop and listen, but there
was no where to pull the car off of the road, so
I drove slowly, listening...
"You wait in the car on the side of the road/Lemme
go and stand awaile, I wanna know you're there
but I wanna be alone/If only for a minute or two/I
wanna see what it feels like to be without you/I
wanna know the touch of my own skin/Against the
sun, against the wind...I walked out in a field,
the grass was high, it brushed against my legs/I
just stood and looked out at the open space and a
farmhouse out a ways/And I wondered about the
people who lived in it/And I wondered if they
were happy and content/Were there children and a
man and a wife?/Did she love him and take her
hair down at night?/...If I stray away too far
from you, don't go and try to find me/It doesn't
mean I don't love you, it doesn't mean I won't
ome back to you/It only means I need a little
time/To follow that unbroken line/To a place
where the wild things grow/To a place where I
used to always go..."
"Side of The Road."
May 31.
This is the beginning.A few people who I do not
know (and a few people who I do--My son, Daryl,
and my daughter's friend, Tom)have been an
inpiration for starting this page--for starting
to write after having not for so long. An old
friend, Cindy, with whom I now talk only once a
year, either at Christmas or on my birthday,
would write to me and say your letters are like
poems; but there have been no letters. Yes, there
have been poems and I now look at this as a means
to communicate and express myself in ways I have
not fpr too long. I try to listen to what Gary
Snyder says in The Practice of the Wild:
"Get control of you own time; master the
twenty-four hours. Do it well, without self-pity.
It is as hard to get the children herded into the
car pool and down the road to the bus as it is to
chant sutras in the Buddha-hall on a cold morning.
One move is not better than the other, each can
be quite boring, and they both have the virtuous
quality of repetition. Repetition and ritual and
their good results come in many forms. Changing
the filter, wiping noses, going to meetings,
picking up around the house, washing dishes,
checking the dipstick--don't let yourself think
these are distracting you from your more serious
pursuits. Such a round of chores is not a set of
difficulties we hope to escape from so that we
may do our 'practice' which will put us on a 'path'--it
is out path." (page 153).
Interesting documentary tonight on The Beat
Generation on PBS;I found it odd that Gregory
Corso looked so sikly and one of the poets out in
California (McClure?) so looked so healthly and
spiritually alive. Why was that? Snyder was
interviewed, too, and he reflected just what he
writes about. Before this Daryl sat with me to
watch and listen to the last movement of
Beethoven's Symphony No.9,Ode to Joy. The house
is quiet now and I am thinking about writing and
photography, of seeing, of really seeing what is
here. I think that is what I have tried to do
these past few years with the poem I have given
my family; to look closely, to see the cardinal
outside on the tree or the love in the heart.